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Taxi (2015 film)
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・ Taxi (pinball)
・ Taxi (Portuguese band)
・ Taxi (Romanian band)
・ Taxi (song)
・ Taxi (TV series)
・ TAXI (website)
・ Taxi 0-22


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Taxi (2015 film) : ウィキペディア英語版
Taxi (2015 film)

''Taxi'' (full title ''Jafar Panahi's Taxi''; (ペルシア語:تاکسی)), also known as ''Taxi Tehran'', is a 2015 Iranian drama film starring and directed by Jafar Panahi. The film premiered in competition at the 65th Berlin International Film Festival where it won the Golden Bear〔(【引用サイトリンク】title=Prizes of the International Jury )〕 and the FIPRESCI Prize.〔(【引用サイトリンク】title=BERLIN 2015: Jafar Panahi ganó el FIPRESCI con Taxi )〕 In 2010, Panahi was banned from making films and travelling, so his niece Hana Saeidi, who also appears in the film, collected the award on his behalf.〔(【引用サイトリンク】title=Berlin Film Festival: Panahi's Taxi wins Golden Bear )
==Production==
Similar to Abbas Kiarostami's ''Ten'' and ''A Taste of Cherry'',〔 it has been described as "a portrait of the Iranian capital Tehran" and as a "documentary-like film is set in a Tehran taxi that is driven by Panahi" with passengers who "candidly confide()" to Panahi. According to Jean-Michel Frodon, the passengers include "Men and women, young and old, rich and poor, traditionalists and modernists, pirated video vendors, and advocates of human rights, (sit ) in the passenger seat of the inexperienced driver (they refer to as ) Harayé Panahi (Aghaye Panahi, آقای پناهی), 'Mr. Panahi'." The passengers are played by non-professional actors, whose identities remain anonymous.
Like his previous two films ''This Is Not a Film'' and ''Closed Curtain'', the film was made despite Panahi's 20-year ban from making films. His previous two films had been shot in extreme secrecy in Panahi's apartment and in a private house. In this film Panahi filmed out in the open on the streets of Tehran.〔
Shortly after the film's premiere at Berlin was announced, Panahi released an official statement in which he promised to continue making films despite the ban and said "Nothing can prevent me from making films since when being pushed to the ultimate corners I connect with my inner-self and, in such private spaces, despite all limitations, the necessity to create becomes even more of an urge."〔

抄文引用元・出典: フリー百科事典『 ウィキペディア(Wikipedia)
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